Same Boat brings together dozens of works by people with experience of poverty and supporters from across the movement to end poverty, including some debut writers.
The book brings new perspectives around poverty and challenges many of the prevailing myths and clichés, and challenges us all to ensure that society after the pandemic is more just and compassionate. We know we can build back better and the outpouring of kindness and community has been heartening – but it cannot be taken for granted. Simply reading the poetry in this anthology is “a radical act of empathy”.
In their introduction, the editing panel of Barbara Adlerova, Ben Pearson, Jayne Gosnall, Matt Sowerby and Penny Walters, write:
“While the term ‘poverty’ is often understood as a financial problem, these poems suggest that the word is more of a blanket term for numerous different ‘poverties.’ These include social poverty, poverty of choice, psychological poverty, poverty of autonomy, digital poverty, poverty of access and poverty of opportunity among others. The book also takes a closer look at some of the people behind the statistics. Rejecting the myth that those in poverty are helpless, several poets choose to explore the power that their experiences have given them.”
Works include i have a voice by Penny Walters of Newcastle, which reflects on her determination to speak out against poverty, despite having “abused and berated downcast / shunned”, and 100 days by Earl Charlton, which reframes his experience from that of victim to expert. He writes: “being homeless before and living in social isolation, gave me the knowledge and sense to beat this complicated situation”.
Ben Pearson’s Yellow Sticker pinpoints the stigma around poverty, while Melanie Rogers’s My Mask finds relevance to mental health in the face coverings that the pandemic has made routine.
The Same Boat title reflects the question of whether we are all in the same boat during the pandemic. The question is also addressed in a short film of the same name, written by Ellis Howard & directed by Brody Salmon, which was released the same week.
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